By Gabrielle Uboldi’s radical adaptation is an electrically ambitious marriage of the ancient with the cutting-edge.
Preview: Oedipus Rex at the Byre Theatre
Don’t miss this ambitious, updated adaptation of the world’s most infamous tragedy.
By A Doll’s House: Reviewed
Mermaids ends the decade on a high with this exquisitely executed classic.
By Chicago: Reviewed
A thrilling, high-energy performance captures the corrupt soul of the hit musical.
By Snore: Reviewed
Lost Boot’s first production is an ambitious but flawed show that emphasises the energy of its enthusiastic cast over a muddled script and occasionally lethargic production.
By Reviewed: The Children’s Hour
The Children’s Hour has its hiccups, but heartfelt performances still shine through.
Orphée and Eurydice: Reviewed
Although I am admittedly not a die-hard opera fanatic, I was intrigued by the opportunity to see OpSoc’s unique take on the classic tale of Orphée and Eurydice, which used an excellent new translation by students from Professor Julia Prest’s “Translating French Opera” module. The plot is fairly straightforward: the
Copenhagen: Reviewed
Theatre Editor, Coggin Galbreath reviews St Andrews’ latest theatrical offering, Copenhagen.
One Man, Two Guvnors: Reviewed
To call Mermaid’s production of Richard Bean’s One Man, Two Guv’nors a rip-roaring success would perhaps be the understatement of the theatrical year (even though its only getting started). The show that Isobel Sinclair and her talented cast have assembled is a cacophonous delight that roars along its hefty three-hour runtime with
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