By National Theatre’s 2011 production starring Benedict Cumberbatch and Jonny Lee Miller is worth watching twice.
By Oedipus Rex: Reviewed
Gabrielle Uboldi’s radical adaptation is an electrically ambitious marriage of the ancient with the cutting-edge.
By A Doll’s House: Reviewed
Mermaids ends the decade on a high with this exquisitely executed classic.
By Chicago: Reviewed
A thrilling, high-energy performance captures the corrupt soul of the hit musical.
By Snore: Reviewed
Lost Boot’s first production is an ambitious but flawed show that emphasises the energy of its enthusiastic cast over a muddled script and occasionally lethargic production.
By Reviewed: The Children’s Hour
The Children’s Hour has its hiccups, but heartfelt performances still shine through.
Orphée and Eurydice: Reviewed
Although I am admittedly not a die-hard opera fanatic, I was intrigued by the opportunity to see OpSoc’s unique take on the classic tale of Orphée and Eurydice, which used an excellent new translation by students from Professor Julia Prest’s “Translating French Opera” module. The plot is fairly straightforward: the
